This article is about the famous keerthana ”Shri Chakra Raja Simhasaneshwari” composed by Sage Agastya – Developer of Tamil language and grammar. It glorifies the the divine nature of the Goddess Shri Lalitha Tripura Sundari – Shri Charkra Nagara Samragni – Shri Raja Rajeshwari. This ragamalika keerthana is set to Adi Tala.
To listen to the keerthana: 
Tala: Adi
Pallavi:
Raga: Senchurutti
Aaroganam: ப த2 ச ரி2 க2 ம1 ப த
Avaroganam: த2 ப ம1 க2 ரி2 ச நி1 த2 ப
ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே – புவனேஸ்வரி
ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே – புவனேஸ்வரி
Anupallavi:
ஆகம வேத கலாமய ரூபிணி அகில சராசர ஜனனி நாராயணி
நாக கங்கண நடராஜ மனோகரி நாக கங்கண நடராஜ மனோகரி
ஞான வித்யேஸ்வரி ராஜராஜேஸ்வரி
(ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே)
Charanam 1:
Raga: Punnagavarali
Aaroganam: நி1 ச ரி1 க1 ம1 ப த1 நி1
Avaroganam: நி1 த1 ப ம1 க1 ரி1 ச நி1
பலவிதமா யுன்னைப் பாடவும் ஆடவும்
பாடிக்கொண்டாடுமன்பர் பதமலர் சூடவும்
உலக முழுதும்என தகமுறக் காணவும்
ஒருநிலை தருவாய் காஞ்சி காமேஸ்வரி
(ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே)
Charanam 2:
Raga: Nadanamakriya
Aaroganam: ச ரி1 க2 ம1 ப த1 நி2
Avaroganam: நி2 த1 ப ம1 க2 ரி1 ச நி2
உழன்று திரிந்த என்னை உத்தமனாக்கி வைத்தாய்
உயரிய பெரியோருடன் ஒன்றிடக் கூட்டிவைத்தாய்
நிழலெனத் தொடர்ந்த முன்னூழ்க் கொடுமையை நீங்கச் செய்தாய்
நித்ய கல்யாணி பவானி பத்மேஸ்வரி
(ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே)
Charanam 3:
Raga: Anandhabhairavi
Aaroganam: ச ரி2 க1 ம1 ப த1 நி2 ச
Avaroganam: ச நி1 த1 ப ம1 க1 ரி1 ச
துன்பப் புடத்திலிட்டு தூயவனாக்கி வைத்தாய்
தொடர்ந்தமுன் மாயம்நீக்கிப் பிறந்த பயனைத்தந்தாய்
அன்பைப் புகட்டியுந்தன் ஆடலைக் காணச்செய்தாய்
அடைக்கலம் நீயே அம்மா – அகிலாண்டேஸ்வரி
(ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே)
ஸ்ரீ சக்ர ராஜ சிம்மாஸனேஸ்வரி ஸ்ரீ லலிதாம்பிகையே..
ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి
అనుపల్లవి:
ఆగమ వేద కలామయ రూపిణి అఖిల చరాచర జనని నారాయణి
నాగ కంకణ నటరాజ మనోహరి జ్ఞాన విద్యేష్వరి రాజరాజేష్వరి
(ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి)
చరణం 1:
పలవిదమాఇ ఉన్నై పాడవుం ఆదవుం పాడి కొణ్డాడుం అంబర్ పదమలర్ షూడవుం
ఉలగం ముజ్హుదుం ఎనదగమురక్కాణవుం ఒరు నిలై తరువాఇ కంచి కామేష్వరి
(ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి)
చరణం 2:
ఉజ్హన్రు తిరింద ఎన్నై ఉత్తమనాక్కి వైత్తాఇ ఉయరియ పెరియోరుడన్ ఒన్రిడక్కూట్టి వైత్తాఇ
నిజ్హలెనత్ తొడరంద మున్నూజ్హ్క్ కొడుమైయై నీంగ షైదాఇ నిత్యకల్యాణి భవాని పద్మేష్వరి
(ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి)
చరణం 3:
తుంబప్పుడతీలిట్టుత్ తూయవనాక్కి వైత్తాఇ తొడరంద మున్ మాయం నీక్కి పిరంద పయనై తందాఇ
అంబై పుగట్టి ఉందన్ ఆడలైక్ కాణ షైదాఇ అడైక్కలం నీయే అమ్మ అఖిలాణ్డేష్వరి
(ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి)
ష్రీ చక్రరాజ సిమ్హాసనేష్వరి ష్రీ లలితాంబికే భువనేష్వరి..
Beautiful raga Senchurutti attracts cows. In olden days, ayarpadis used to play this raga using their flute to control their cattle.
Raga Punnagavarali attracts snakes which means, if all the notes of this raga is played correctly, it creates a vibration in the ground which causes the snakes to transit. Usually, the person who performs swara abhyasa will make a swara bedham while playing this raga to avoid such environment changes 🙂 Besides, this raga is the favorite raga of the goddess Naga devatha(yogic form of goddess sakthi). Basically, Snake charmer’s note matches to this raga.
Yet one more beautiful raga Anandhabhairavi, a favorite raga of the goddess Raja Rajeshwari. This raga is very popular in most of the Thyagaraja’s compositions(especially Paluke Bangaramayena). Nadanamakriya is a melakartha raga which is almost same as Anandhabhairavi.
There are many ragas in Carnatic Music which makes a positive changes to the environment. Will discuss more about such ragas, especially favorite ragas of all the god and goddesses. Carnatic music acts a music therapy to treat the various health and mind related problems of the humans. Its benefits are not only limited to humans. It has a good impact to the Universe as well.
https://carnatic.rkkrishnaa.in/
Stay tuned..
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